- The instructor provides the students with the following “recipe” for writing in a clear and interesting manner: “put yourselves into the shoes of the main character(s) in the story. Close your eyes and think about how they feel and think, their worries and hopes, etc. Now describe this in your text!” The students then practice the „recipe“ orally before writing, using different, suitable topics. Examples: “a discussion around our dinner table”, “an experience in my parents‘ native country”, “my grandmother’s tales of her youth”.
- Another “recipe“ that follows the same pattern is to practice with the following instructions: “close your eyes before you begin to write. Think about your story and imagine it as a film in your mind. Now write everything down in as much detail as possible.”
- A tip which often leads to more clarity is to use direct speech: “use direct speech, let the characters talk to each other!” This, too, should first be done orally and then written down.
- Texts are sometimes more “alive“ and interesting when they are narrated in the first, rather than in the third person. If students follow this and the above suggestions, they should become successful.
- Picture stories provide an ideal opportunity for practicing vivid and lively writing. In this way, the students are relieved from searching for ideas and can concentrate on writing an appealing text. It is important that the written texts are then compared and discussed among the students.
- Re-narrating stories is also a valuable and effective opportunity to practice a clear and interesting writing style, as described below (18.3 and 21).
Table of Contents
- Preface to the series “Materials for heritage language teaching”
- Introduction
- I. Introduction: low-threshold level writing examples and activities to promote motivation
- 1. Preliminary exercise: shared story telling by turns, sequels or chain stories
- 2. Writing collectively: alternating, continued, chain or folded stories
- 3. Texts with a colon: picking words, and who, where, what stories
- 4. Skeleton stories, emotive word stories, scaffolding stories
- 5. Imaginative writing in different social forms
- 6. Short artistic and creative tasks with language (see also # 22)
- 7. Language riddles
- II. Techniques and strategies for the various phases of the writing process
- 8. Finding ideas, pre-structuring the text
- 9. Planning the structure of the text (see also #16, Suggestions for text building)
- 10. Using titles, subtitles and paragraphs to structure and design a text
- 11. Techniques for revision and self-correction
- 12. Writing for the target audience; designing and presenting attractive texts
- 13. Guidelines for the students: worksheets WS 1 + 2
- III. Ideas to further partial aspects of writing
- 14. Suggestions for vocabulary building I: working with word fields and expanded language tools
- 15. Suggestions for vocabulary building II: working with gap-fill exercises and alternative word tests, etc.
- 16. Suggestions for text building and structuring (see also # 9)
- 17. Suggestions for improving writing style I: practice with acting and discovering style
- 18. Suggestions for improving style II: writing and summarizing in a precise, clear and exciting manner
- 19. Hints for improving syntax and morphology
- IV. Ideas for specific writing contexts
- 20. Writing occasions that are particularly suitable for heritage language education
- 21. Suitable projects for cooperation with mainstream education classes
- 1. Multilingual poetry collection (eleven poems, etc.)
- 2. Multilingual picture books or adventure books
- 3. Multilingual student papers or wall boards
- 4. Contributions to project weeks or exhibitions, like “our cultures”, “where we come from”, “great vacation destinations”, “our languages” etc.
- 5. Multilingual recipe collections
- 22. Artistic-creative design projects with language
- Bibliography